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• Published on: 1993
• Binding: Hardcover

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Hitchcock Solve-Them-Yourself Mysteries

• Sales Rank: #330622 in Books
• Brand: Random House Books for Young Readers
• Published on: 1963-09-12
• Released on: 1963-09-12
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 206 pages

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• Great product!

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7 of 7 people found the following review helpful.
Five Mysteries for You to Solve
By Lonnie E. Holder
This collection of mysteries for young adults has existed since 1963 and has been through multiple editions. As far as I can tell, the most recent editions retain the text of the original. There are five mysteries. Each provides sufficient clues to let you have a reasonably good chance at guessing some or all of the solution for each mystery. However, the length of each mystery is such that it can be hard to find the clues.

The opening story is "The Mystery of the Five Sinister Thefts." Jerry Mason is helping his uncle Frank, owner of Clanton's Circus. Jerry is a helper at the circus, doing whatever odd job that needs to done. Jerry returned to the circus from mailing a letter for his uncle Frank to find that something at the circus had changed. He quickly learns that someone has taken one of Madame Winifred's snakes. This theft followed several other thefts, each of items of varying value but none seemingly worth a thief's time.

Jerry tries to figure out why someone would steal the various items, using everything he has seen and heard around the circus. After thinking about the things he knows, Jerry suddenly realizes that he knows exactly who took the various items and why. Can you figure out who took each of the five items and why? Can you figure out where the snake is?

The next story is "The Mystery of the Seven Wrong Clocks." Someone murdered Fritz Sandoz and robbed his store some time before Peter Perkins arrived at the store of his friend. Sandoz was able to modify a number of clocks to provide a clue regarding his murderer. Can you solve the mystery of the wrong clocks before Peter Perkins does?

The third story is "The Mystery of the Three Blind Mice." Nigel Mayfair is a wheelchair bound millionaire. Someone is stealing some of Mayfair's most valuable stamps and Mayfair has asked detective Porterfield Adams to investigate the thefts and hopefully regain the valuable stamps. Porterfield brought son Andy, a stamp collector, as a consultant.

No one, staff or family, likes Mayfair. It would be fair to say that Mayfair has no friends either. There is little surprise and even less grieving when someone shoots Mayfair while Mayfair is sitting in his bed, leaving a mysterious, incomplete sentence as his final words. The large number of people in the house at the time and in the house directly across from Mayfair's house, which is a small castle, makes this mystery a challenge.

I thought this mystery was particularly difficult to solve because the most important clues are subtle. It helps if you read the story twice before reading the conclusion.

In "The Mystery of the Man Who Evaporated," mystery writer Harley Newcomb has apparently disappeared from a locked house. The windows are boarded over and the door is nailed shut as well. The only clue is a mysterious note and footsteps that get smaller and smaller. English teacher and mystery writer Howard Matthews and one of his students, Jeff Landrum, try to figure out what the police could not, the location of Harley Newcomb. Can an English teacher and a student figure out how Harley Newcomb "disappeared" from a house without an exit? Can the pair solve the mystery when the police could not? Perhaps you can solve the mystery before Mr. Matthew and Jeff.

The final mystery is "The Mystery of the Four Quarters." Nick and Bettye Layton find themselves kidnapped by mysterious men. The pair soon discovers that the men are spies looking for information from their father. They also think the spies are crazy because their father is not involved in any kind of military factory or research, but the men have kidnapped the brother and sister, so they know what they want.

Their kidnappers ask Nick and Bettye to tell their father to provide certain information in order to secure their return. Nick and Bettye write notes to their father, carefully reviewed by the head kidnapper. Will Nick and Bettye be able to escape their kidnappers before their father gives it to the kidnappers? There is so much tension!

A number of books that contain short mysteries with sufficient clues to solve the mysteries are available. Of course, this one is from Alfred Hitchcock. My experience has been that a book with Hitchcock's name on it is generally good, and this collection of mysteries is good. I did think that a couple of the mysteries were very difficult to solve. A couple I got reasonably quickly. These stories are good mental exercise and our brains always need a workout. If you enjoy mysteries and you like to be able to try to solve them yourself, this book could be for you.

Enjoy!

5 of 5 people found the following review helpful.
A trip down memory lane - a great trip!
By Dom Miliano
Growing up, this was one of my all time favorite books. First, its stories are very well written. They are "solve them yourself" and the cues and clues are both subtle and challenging. By the time I finished reading, I was both a better, more careful reader and a sharper problem solver. Quite an accomplishment for one book.

The seller delivered the book in great shape and it was exactly as advertised. It arrived quickly and it appeared to be "as new" or as new as a nearly 50 year old book could be. I am very pleased and recommend the seller.

This is a time machine for me - taking me back to the best days of my youth - ones with a good book in my hand!

You will enjoy reading this one - if you can find a copy...

4 of 4 people found the following review helpful.
"His heart was pounding and he seemed unable to get his breath. He couldn't breathe. He was suffocating already!"
By Mark Louis Baumgart
Alfred Hitchcock (1899-1980) became involved in the movies in the late nineteen teens, became a director in 1922 (the uncompleted "Number 13"), published the first (of many) of his anthologies in 1945 ("Suspense Stories"), and published his first juvenile, "Alfred Hitchcock's Solve-Them-Yourself Mysteries", written by Robert Arthur, Jr., in 1963, in January, eleven months before John F. Kennedy was assassinated. In 1963 Hitchcock released "The Birds", and one year later "Alfred Hitchcock And The Three Investigators" (43 books 1964-1987 in American, 150 so far in Germany) started publishing. It was also the eighth year of ten, (1955-1965) for his television series, and in America it was the thirteenth year of America's involvement in Vietnam.

This book was originally published without a dust jacket with the artwork printed directly onto the hard cover, and it contained five novelettes written by Robert Arthur, Jr., and ten full-page, and one double page illustration by one-time Paddington Bear illustrator Fred Banbery (1913-1999). The stories are not your choose-your-own-adventure types, nor are they the Encyclopedia Brown types. They are full-length stories in which the ending is cut off, only to be continued on the next page after giving the reader a chance to solve the story's puzzle.

The first story is the circus story 'The Mystery Of The Five Sinister Thefts' and Jerry Mason is on his way to the small one-ring Clanton's Circus, which has just been bought by Frank Mason who is Jerry's uncle. As he arrives he realizes that the circus is too quiet, and finds that there has been a fifth theft. While each item stolen is of little monetary value, they are of high intrinsic value, with each theft happening over five consecutive nights. This time Winifred the Snake Charmers prize snake has been lifted.

It's clear that these thefts are related to the theft of "The Green Flame" diamond that had been previously stolen from the Museum Of Fine Arts in Millerton, a town the circus had toured through. The story is interesting, and it features a classic MacGuffin, a standard plot device in Hitchcock's movies. I guessed the answer this time around, but you also learn a little about the lost culture of the small circuses. Four stars.

The next story is 'The Mystery Of The Seven Wrong Clocks' and features (continuing character?) Peter Perkins, a professional puzzle and cryptogram writer who teems up head cop Detective Magrue's son to find the killer of Perkins' friend. The problem is based on how a series of seven clocks have been set up by his friend before his murder. I didn't quite get the set up for the solution, but the solution itself is based on the Sherlock Holmes story 'The Case Of The Dancing Men'. Margrue is an obnoxious idiot, and the set-up seems contrived, but in the end, Arthur played fair with the clues, so I can't complain. Four stars.

When is a killer not a killer? The answer is in the next story 'The Mystery Of The Three Blind Mice'. Porterfield Adams is a detective specializing in forgery and embezzlement and he has been employed by the blustering and cartoonish Nigel Mayfair, a rich, obsessive, hateful, and controlling man who lives in the imported Castle Cragie, and who has found that somebody has stolen some of his more valuable stamps. Along for the ride is Porterfield's son Andy, who is an expert in stamps. Sometime during the night, Mayfair, who lives in a house of people who hate him, is impossibly shot while in bed. This story comes very close to being a lock-room murder mystery, along with being a theft story. I actually remember reading this story forty years ago as a lad, and it holds up very well as it actually involves several puzzles and mysteries. I don't believe that you can shoot three bullets through a pane of glass without shattering it (see customer images), but that's the only flaw. This story is very much like Hitchcock's more mystery oriented television episodes. The Hardy Boys have turned stories like this into whole novels. As an ex-stamp collector, I give this story five stars.

The fourth story is 'The Mystery Of The Man Who Evaporated' and it deals with Jeff Landrum, who likes mysteries so much that he eventually becomes involved in a real life one. It all starts innocently enough. Jeff finds out that his English instructor Howard Matthews is writer of mystery short fiction. Then Matthews asks Jeff if he would like to go to a Mystery Writers Of America meeting and meet some mystery writers. Here Arthur does some name dropping as we meet Earle Stanley Gardner, Ellery Queen (both of them), Walter Gibson, and another neighbor of Jeff's, locked-room mystery author Harley Newcomb, who seems to be a thinly disguised John Dickson Carr. Newcomb is a compulsive writer who is enthusiastically working on what he considers one of his best novels. Excited about his novel, he leaves the meeting early, and then. . .just disappears. When Jeff and Matthews go to visit Newcomb they find that his rented house is in the same condition as the one that he had described in his new novel. It is locked and nailed up from the inside. Because the local yokels are as thick as fenceposts, Jeff and Matthews have to investigate the disappearance on their own, only to get into trouble by being too nosey. There is a hint of science fiction in this story that goes by the wayside at the story's end. While the story is a genuine locked room puzzle, it has a very disappointing, contrived, and ridiculous denouement. This is NOT a fair-play story, and there is no way you can solve the puzzle. Two stars. Nice set-up, but that's about it.

The last story 'The Mystery Of The Four Quarters' finds twins Bettye and Nick Layton in deep trouble as they are kidnapped from the Blackwell Mansion by the fat Mr. Nemo and his oversize thug Fritz, because Nemo wants a new invention of their father's. This is a suspense story that concentrates more on the puzzle; how do the children contact their father, tell him where they are, and do so without their captors catching on to their scheme, than the story's probability of possibility. Again, here is a story that I don't think that there are many who could solve the oblique and contrived puzzle. It's entertaining and all, but the puzzle depends on knowing too much information that is barely touched on, and a puzzle that is almost impossible to decipher. Two stars.

Robert Arthur (1909-1969) had a long career with Hitchcock, ghost editing nine of his anthologies, writing for his television show, his magazine, and creating the Three Investigators. He had also had a long career in writing for the pulps, he was one of Isaac Asimov's favorite authors, for radio, he co-created "The Mysterious Traveler" (1943-1952), and here he kick-started Hitchcock's entry into the juvenile mystery market. Each of the stories here features a teenage investigator, at least one illustration, and, like Hitchcock's tv show, is interrupted intermediately by comments from Hitchcock. Most of comments can be skipped if you want, but they are essential in 'Mystery/Four Quarters' to understand the puzzle.

However, 'Five Sinister Thefts', 'Seven Wrong Clocks' and 'Three Blind Mice' are all stories that make this a four star read, even if 'Man/Evaporated' and 'Four Quarters' bring the collection down a star. I got this book from my library after it was culled from its shelves this year, altogether, it has been there (since 1966), and checked out and read, for forty-four years!

For this site I have also reviewed the following juvenile mysteries:

bigfoot by Hal George Evarts
The Case of the Somerville Secret by Robert Newman
Mystery Of Mordach Castle by William MacKellar
The Road Of The Dead (Push Fiction) by Kevin Brooks
Skull Island (Usborne Adventure) by Lesley Sims
A Ufo Has Landed by Milton Dank & Gloria Dank
X-Isle (Point Horror) by Peter Lerangis
Return to X-Isle (Point Horror) by Peter Lerangis

and all the Zodiac Chillers starting with:

Rage of Aquarius (Zodiac Chillers)

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A collection of highly imaginative short pieces that speak to our times with deadly accuracy. Vintage Atwood creativity, intelligence, and humor: think Alias Grace.

Margaret Atwood turns to short fiction for the first time since her 2006 collection, Moral Disorder, with nine tales of acute psychological insight and turbulent relationships bringing to mind her award-winning 1996 novel, Alias Grace. A recently widowed fantasy writer is guided through a stormy winter evening by the voice of her late husband in "Alphinland," the first of three loosely linked stories about the romantic geometries of a group of writers and artists. In "The Freeze-Dried Bridegroom," a man who bids on an auctioned storage space has a surprise. In "Lusus Naturae," a woman born with a genetic abnormality is mistaken for a vampire. In "Torching the Dusties," an elderly lady with Charles Bonnet syndrome comes to terms with the little people she keeps seeing, while a newly formed populist group gathers to burn down her retirement residence. And in "Stone Mattress," a long-ago crime is avenged in the Arctic via a 1.9 billion-year-old stromatolite. In these nine tales, Margaret Atwood is at the top of her darkly humorous and seriously playful game.

• Sales Rank: #136177 in Books
• Published on: 2014-09-16
• Released on: 2014-09-16
• Format: Deckle Edge
• Original language: English
• Number of items: 1
• Dimensions: 8.54" h x 1.11" w x 6.01" l, 1.00 pounds
• Binding: Hardcover
• 288 pages

Amazon.com Review

An Amazon Best Book of the Month, September 2014: “Stop trying to pimp me out to all these groupies,” a famous author and infamous cad utters in “Revenant,” one of three cleverly interconnected tales that begin Margaret Atwood’s superbly sardonic Stone Mattress. He is referring to an impending visit from an infatuated graduate student who is supposedly writing a thesis about his sonnets…which aren’t really sonnets (long story). Naveena—her name, he derisively but accurately points out, “sounds like cheese food slices. Or better—like a hair-removal cream”—is insufferable enough to be sure. The depiction makes yours truly nervous to be writing this review, but it’s all part of the fun, and these tales are fun, which is odd considering the sinister current that runs through many of them. But it’s as if the reader is privy to some sort of inside joke. This is especially evident in “The Dead Hand Loves You,” when Atwood playfully skewers the horror genre then gleefully indulges in it, and the ominously tongue-in-cheek “Torching the Dusties.” Fans of Margaret Atwood will certainly delight in this collection. But beware, the Stone Mattress will make groupies of old and new readers alike. –Erin Kodicek

Review

"Witty and frequently biting ... this book’s stories offer characters a chance to put their own understandings of gallantry, courage and revenge to the test, in ways both mundane and extraordinary."
—The New York Times Book Review

"In Stone Mattress [Atwood is] having a high old time dancing over the dark swamps of Horror on the wings of satirical wit ... Look at these tales as eight icily refreshing arsenic Popsicles followed by a baked Alaska laced with anthrax, all served with impeccable style and aplomb. Enjoy!"
—Ursula K Le Guin, Financial Times
 
"These exuberantly told tales are a tour de force of wit, style, and discernment."
—O Magazine
 
"Eclectic, funny, vibrant, terrifying, beautiful, and utterly delightful."
—Boston Globe

"[These] stories have the caustic wit and giddy deviance ... along with the probing interiority and flinty insights of Atwood’s novels."
—Minneapolis Star Tribune
 
"Stylish, acerbic and wickedly funny ... With wit, sympathy and precision, Atwood draws readers into a reflective frame of mind."
—Miami Herald

"[This] collection is surprisingly unsettling, gripping and at once laugh-out-loud hilarious. It attains its laudable goal: Myths last over time, and the stories in this book have that very quality. They are timeless, memorable and quite simply fun."
—Chicago Tribune

"Stunning ... Atwood brings her biting wit to bear on the battle of the sexes."
—Publishers Weekly, starred review
 
"Shrewdly brilliant, gleefully mischievous, and acerbically hilarious ... Atwood has the raptor's penetrating gaze, speed, and agility and never misses her mark."
—Booklist, starred review
 
"Clever tales about writers and lovers ... Atwood is a playful, sharp-edged, and politically alert author."
—Kirkus Reviews

About the Author
MARGARET ATWOOD, whose work has been published in thirty-five countries, is the author of more than forty books of fiction, poetry, and critical essays. In addition to The Handmaid's Tale, her novels include Cat's Eye, short-listed for the Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, short-listed for the 2003 Man Booker Prize; The Year of the Flood; and her most recent, MaddAddam. She is the recipient of the Los Angeles Times Innovator's Award, and lives in Toronto with the writer Graeme Gibson.

Most helpful customer reviews

54 of 58 people found the following review helpful.
A bit bumpy but Atwood is mostly in very fine form here
By Kcorn
If the rating system allowed, I'd give this one slightly more than 4 and 1/2 stars so I rounded up to 5 stars. I was drawn into most of these tales and I think this work is actually a fine introduction to Atwood's writing, her finely crafted sentences, and often otherworldly (or at least in between reality and surrealism) themes. She is also excellent when, at her best, she creates detailed portraits of individuals. They aren't always ones I'd like to know but are fascinating on the page.

I've had an ambivalent feeling about a fair number of Atwood's books. Some I've liked a great deal. Others left me cold. But I can absolutely recommend "Stone Mattress." It is one I'd be happy to reread.

While I liked - often loved- some of the tales in this book, there were a couple which weren't nearly as compelling as the rest. "Stone Mattress", the centerpiece of the book, focused on a woman bent on revenge and murder for a terrible injustice done her many years ago. Does she succeed? I won't disclose that, won't spoil it for potential readers. But I can say that I never thought I'd feel drawn to a possible murderess and feel compassion and understanding for her intense anger. I do want to add that some of the details in "Stone Mattress" are gruesome - so be aware of that.

If I tried to describe every one of the works here, this review would be overly long so I'll simply mention one other which resonated with me, "Torching the Dusties". It portrays a timely issue, the resentment felt by some younger adults towards the older generation who - in their opinion - "messed it up" for the next generation, killing the planet with greed and blindness to their impact on the environment. The younger adults feel cheated and are outraged, determined to do something about it. Again, I won't reveal more details about what happens next. I hate reviews with spoilers.

I hope this review perks your interest and if you've never been a fan of Atwood that you consider revisiting her writing by reading "Stone Mattress." I'd be interested in other readers" take on it. I received a free copy of this for review but was a bit reluctant to dive into an Atwood book. I'm glad I dove into this one.

0 of 0 people found the following review helpful.
Margaret Atwood writes exposition brilliantly. Unfortunately
By Amazon Customer
Margaret Atwood writes exposition brilliantly. Unfortunately, that's all this book is - endless exposition. There are 9 short stories in which almost nothing happens. The only one I enjoyed was The Dead Hand Loves You, but I almost didn't make it that far. This would be a great assigned book for a writing class, but in terms of enjoyment, I rate it low.

0 of 0 people found the following review helpful.
that doesn't mean that she is always fun to read
By BSteeve
Atwood writes with a message and she makes her point, that doesn't mean that she is always fun to read.

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[V902.Ebook] Download Ebook Sallustius: Concerning the Gods and the Universe (English and Ancient Greek Edition), by Arthur Darby Nock

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Originally published in 1926, this book contains the ancient Greek text of the fourth-century treatise Concerning the Gods and the Universe by Sallustius. Nock provides an English translation on each facing page, as well as a critical apparatus and a detailed set of prolegomena on the historical background, sources, style and transmission of the philosophical essay. This book will be of value to anyone with an interest in late Roman philosophy and in the pagan response to early Christianity.

• Sales Rank: #1557444 in Books
• Published on: 2013-10-17
• Released on: 2013-10-17
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .39" w x 5.98" l, .58 pounds
• Binding: Paperback
• 174 pages

Language Notes
Text: English, Greek (translation)
Original Language: Greek

Most helpful customer reviews

6 of 6 people found the following review helpful.
"A Compendium of Platonism"
By Johannes Platonicus
The Neoplatonist Sallust more than likely wrote this work, "On the Nature of the Gods and the Universe," during the reign of the emperor Julian (361-63 AD). It may have been written in reaction to the rising tide of Christianity, in order to promote the pagan reforms of Julian. Nevertheless, the reader will find here a compendium of the Platonic philosophy, as Sallust comprehended it through the works of his predecessor, Iamblichus. The student of Plato will find several ideas to play with in this treatise; and the assiduous collector of Greeco-Roman literature could hardly go without this on the shelf. Although Platonism during this time was becoming an esoteric sect full of commentators bent on orthodoxy rather than free thought, Sallust's work is still unique if taken into context. "On the Nature of the Gods and the Universe," is interesting as a piece of religious propaganda and enlightening as a brief compilation of Platonic thought. Also included here in Thomas Taylor's volume are the wise sayings of Pythagoras as recorded by Demophilus, several hymns by the great Proclus, and five hymns by the scholar Thomas Taylor himself. This is a definite piece of Hellenism for the philosophical and literary enthusiast, and it is thoroughly recommended.

2 of 2 people found the following review helpful.
Ian Myles Slater on: Men, Gods, and the Cosmos
By Ian M. Slater
Since Amazon from time to time sweeps up reviews of different translations of the same work and lumps them all together, I should specify that I am reviewing "Sallustius Concerning the Gods and the Universe," edited with Prolegomena and Translation by Arthur Darby Nock (Cambridge University Press, 1926; first paperback edition, October 2013). (Note that the actual book cover and title page offer the name as "SALLVSTIVS," with the classicizing v-for-u which beginning Latin students often find annoying.)

The present volume runs to about 170 pages, of which about two thirds are front-matter, and supporting apparatus such as indexes. "Concerning the Gods and the Universe" is a Greek tractate offering a philosophical defense of "the Old Religion" (or "paganism") in the face of Christianity. It probably was written during the reign of the Emperor Julian "the Apostate" (361-363), who tried to reverse Constantine's official promotion of Christianity. A heading to one of the manuscripts attributes the work to a certain "Saloustios." The most likely author is one of two contemporary imperial officials with the name Sallustius, probably the one whose name is given in Latin (but not Greek) sources from the period as Sallutius.

Nock accepts an older proposal that the work was written around 363 AD, and while Julian was still alive; with the note that, based on his linguistic and stylistic tests, it could date anywhere from 300 to 430. He assumes that the little book was never officially "published," and perhaps never polished by the author, due to Julian's death, and the return of Christianity to imperial favor.

The approach taken by Sallustius (whoever he was) to understanding the diverse religions of the Roman Empire is somewhat eclectic, or syncretic, but in the main it represents Neo-Platonism in the somewhat popularized form current in Julian's circle. For those already familiar with the history of philosophy in late Antiquity, this means that the ritually-inclined Iamblichus is bigger influence than the elitist mystic, Plotinus. (For those who aren't, this is probably a distinction without a difference.) He relies extensively on the use of allegory to deal with the often-embarrassing mythologies, assimilating the ancient gods and their rituals to the most advanced philosophy of the day. (E.g., sacrifices are not needed by the changeless and perfect gods, but are needed by humans to "animate" the mere words of their prayers, which are themselves a means of union with the divine, not petitions which the gods will answer.)

The text had previously been translated into English twice. The first, in 1793, was by Thomas Taylor ("the Platonist" / "of Norwich," 1758-1835), with supplementary neo-Pythagorean and Neo-Platonic materials. The second was in 1913 by a leading British classicist, Gilbert Murray, (1866-1957), in his "Four Stages of Greek Religion," later expanded as "Five Stages of Greek Religion" in 1935 (the rest of the volume is based mainly on a lecture series Murray had delivered at Columbia University in 1912), and slightly revised with a new Preface in 1951. Both of these translations are available in Kindle and other digital formats, including (the first and second editions of) "Stages of Greek Religion," which sometimes is credited to Sallustius rather than Murrray.

Taylor's version reads fairly well, and, as mentioned, is included with a group of somewhat-related texts, but it is based on obsolete editions of the Greek original, and the eighteenth-century English may put off some readers. Taylor refers to Sallustius' near-contemporaries and contemporaries as Pythagoreans and Platonists, German scholarship not having yet arrived at the New (neo) distinction between the classical philosophers and their latter-day interpreters.

Murray's version, originally made in 1907, is charming -- I find it more readable than Nock's -- but really needs to be read in conjunction with the rest of "Five Stages...," which stands in for a dedicated commentary. In the 1951 preface to "Five Stages," he singles out Nock's edition and translation for praise.

Nock (1902-1963) was a Cambridge-trained classicist, who spent most of his career at Harvard. He developed a reputation as an authority on the literature of the early Christian era -- see, for example, his "Early Gentile Christianity and Its Hellenistic Background," a 1963 compilation of earlier writings (and other titles on his Amazon page).

Nock provides a full Greek text, newly edited from a (then) recently-identified manuscript of better quality than that used in the seventeenth through the nineteenth centuries, with a English translation on facing pages. It is preceded by an introduction ("Prolegomena") surveying the main issues raised by the short work, as well as such issues as language and style, the manuscript transmission and probable authorship. He made ample use of prior scholarship (although he makes a point of saying that he did not consult Taylor, or the other eighteenth-century translations, into German and French).

The "Prolegomena" also includes a chapter-by-chapter (at times paragraph-by-paragraph) summary and commentary, with ample references to classical, late-antique, and early Christian works (plus Philo of Alexandria) which may have influenced Sallustius, or may clarify or amplify his concise text. Thanks to this approach to the problem, the actual Greek text and the translation are free of exegetical notes, making the work much easier to read than with a running textual and interpretive commentary.

A not-very comprehensive-search on my part indicates that there has been one further edition, with a translation into French, published by Collections Bude in 1960 (not seen). There was also a French treatment of the text (which I have not seen either) by Nock's some-time collaborator, A.-J. Festugiere, apparently published in 1944.

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London: A magnificent metropolis with hundreds of years of history, culture, economics, and of course, PUBS. The pub has been a staple of British tradition dating back for several centuries. These watering holes for the thirsty range from being historic, to the quirky, with a few being landmarks (thrown in for good measure), while some can just be a great place to have a nice pint of ale and a good conversation after a hard day's work. With centuries of tradition and so many great pubs around the city, searching for that "ONE" pub can be a fun, but lengthy adventure. Pubs to Have a Pint In: London is a full color book containing photos and in-depth historical text on thirty London pubs that the author felt had character, warmth, hospitality, and of course, a quality selection of ales and lagers. Whether the reader is traveling to London, is a pub enthusiast, is a beer snob, or just looking for a different take on some of the more unique historical facts of London, if one cannot have a pint in these pubs, then reading this book would be the next best thing.

• Sales Rank: #8449852 in Books
• Published on: 2016
• Format: Unabridged
• Binding: Hardcover
• 210 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
My bucket list -sub bucket list!
By kutedragonboy
Thanks Charles! Awesome book! Very informative and detailed descriptions. I'll have to hit some of these Pub locations once I get a chance to head out there on a trip. I'd love to get the Pubs to sign my book and get a picture posing in the same areas as the photography in the book.

0 of 0 people found the following review helpful.
Surprised, yes . . . in a good way.
By Learning to Camp
Like a great brew, this book is crafted BEAUTIFULLY! The images and production value alone make it worth it's weight. I liked it a lot. I also found it to be rich in history. That surprised me, actually. I wasn't expecting much from a beer book . . . but I was wrong.

0 of 0 people found the following review helpful.
Five Stars
By samantha
Great book, love the pictures and the history that went along with it.
Will read again and again

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